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Party Band

PARTY BAND

A Bass Player’s Story

 Life on the Road With CATUNES

Boston’s #1 Party Band

 By Tom Morico

INTRODUCTION

Toward the end of my freshman year of college, I found myself in a four piece synth-pop outfit that had managed to eke out a modest following with the radio friendly “I Want to Kill My Roommate.”  At eighteen years old, having been recently transplanted from a tiny farm town in Connecticut, I was on top of the world.  It was an incredible thrill to play gigs at venues around Boston such as The Channel, TT the Bears, and various MIT holes-in-the-wall along the Cambridge side of the Muddy Charles River.  But by the time my sophomore year rolled around, unfortunately, my bandmates and I were embroiled in the proverbial differences of opinion.  And soon, that musical venture fizzled and popped.

My buddy Tim swung by my dorm room one afternoon to find me sullen, despondent, packing up my bass and shoving it underneath my bed in a huff.  In response to his raised eyebrow I blurted out, “I’m quitting the music scene.  I’ve tried and it’s too damn hard, man!”  Tim proceeded to slap both sides of my face, in refined eighteenth century style, forehand then backhand.  He grabbed both of my shoulders and shook me firmly, decreeing, “No!”  I went to bed that night taking Tim’s counsel to heart.  It was the very next day when I picked up a copy of the Boston Phoenix newspaper and saw those four words in the Classifieds section that forever changed my life: “Catunes seeks Bass Player”.

 

Florian Hall, Dorchester, MA, Spring – 1988

In the wee early days of Mark Morris and the Catunes, stories abounded of the lead singer’s… how shall I put this?… rambunctious behavior.  And by the time I joined the band, I had a front row seat.  Back in the late eighties we would play three sets a night, every Thursday night, at a VFW hall to throngs of loyal and very energetic south shore kids.  The local buzz these folks created in those early days would lay the foundation for what was soon to come.  Anyway, at this one particular show who walks in but Marky Mark Wahlberg.  But back then he wasn’t Marky Mark yet; he was still just Donny Wahlberg’s (of New Kids on the Block fame) little brother.  I can’t remember exactly how it started, but before I realized what was happening Mark Morris is on the microphone leading the entire house in a boisterous chant: “New Kids suck! – New Kids Suck! – New Kids SUCK!”  I watched, transfixed – almost as if in slow motion Marky Mark plowed his way up through the center of the crowded dance floor, right arm cocked way back – ready to punch – as he swiftly approached our lead singer.  Then, just as they were nose to nose, out of nowhere two gigantic doormen grabbed Marky Mark by both arms and dragged his ass out the front door.  Whew!  “Man,” I said to myself, “this guy Mark Morris is one funny cat!”

 

Nostalgias (aka The Beachcomber), Quincy, MA, Fall – 1989

My first time playing at Nostalgias was overwhelming, to say the least.  Outside there was a line wrapped around the building; inside the place was jam-packed: wall-to-wall people as far as the eye could see.  By this time we had a truck, a road crew, lights, a sound engineer, and.. well, lots and lots of fans.  We were combining a mixture of high-energy dance music, a natural chemistry among the band members, and a very charismatic and funny front man.  Downstairs in the dressing room, in between sets, the guys would practice vocal harmonizing.  This was the first time in my life that I was involved in a band with people who could actually sing.  And I’d venture to say that although all of the guys (except for yours truly) could sing really well, it was Kenny Morrell who had the classically trained pipes.  Man, could this dude sing!  In between club dates we would supplement our income by doing corporate functions (Christmas parties and such) along with lots and lots of weddings.  Kenny was a natural Master of Ceremonies at these gigs.  And with Mark, ever the showman, the energy we created at these traditionally uptight events was unheard of.  No lie, there was one wedding we did, I believe it was at The Four Seasons Hotel – Mark got the bride’s 90 year old grandmother to dance on a table during our rendition of Joe Cocker’s You Can Leave Your Hat On!  Funny funny stuff going on with this band!

 

“Catunes for Kids”, Marriot Copley, Boston, MA, Winter – 1990

“Show some gratitude,” Mark Morris used to say to me.  And back in the early ‘90s, with grunge all the rage, believe me, it wasn’t exactly cool to walk around exuding an attitude of gratitude.  But I have to say, Mark always did.  The extent to which Mark volunteered his services – donating his time and money, etc. – didn’t really get much attention from us guys in the band.  But then, Mark didn’t really say much about it.  He was giving because it was “good for the soul” as he used to say.  He preferred not to draw attention to his acts of kindness.  It was all coming from a very empathetic and humble place.  But it was the yearly Toys for Tots drive that was something he would involve the band with.  Mark had relationships with a multitude of charities around Boston, and I believe it was through the Fire Department that we became involved.  And this thing caught on like wildfire.  It was basically a black tie event in which our fans would get a chance to dress up for the night, bring a toy or make a donation, and have a great time.

 

The Wobbly Barn, Killington, VT, Winter – 1991

Some of the guys on the road crew (hey Shea) were big snowboarders.  Some of us guys in the band, well, preferred a snifter of brandy whilst sitting around the fireplace at our chalet.  Well.. perhaps a snifter of brandy isn’t exactly accurate.. haha..  We would usually do a four-night stint when we played Killington, and it was the band house that rekindles fond memories.  Leo Stapleton, our beloved guitar player, was in some ways the father figure of the group.  When I think about Leo I can’t help but smile.  He was, and always will be, a kind and gentle soul.  But Leo is also the consummate musician.  It was Leo who would lead us (and the endless parade of band house visitors) in rousing fireside renditions of Beatles tunes.  Some of these sing-a-longs would lead to impromptu jam sessions.  And it’s right around this time that the itch to write original material was born.  Leo got real serious about songwriting, and soon he and Mark were collaborating.  Their song writing partnership spawned some very exciting creative output, and soon we were in the studio cutting some demos.  And in the coming months we would perform those tunes live on the radio.

 

The Tent, Marina Bay, Quincy, MA, Summer – 1992

Car-pooling with Ralph on our way to the gigs, I would often hear stories about his early life on the road.  At 19 years old Ralph was touring with Tavares – one of the biggest bands of the disco era.  Ralph used to tell gut-busting stories and he would often have me (and several members of our road crew) on the floor, dying.  I would often have to consciously keep it together on stage by forcing myself not to make eye contact with him.  Being the rhythm section may have had a lot to do with it, but we just really jelled, not only as musicians, but also as friends.  In a lot of ways, because of Ralphie, I started to genuinely appreciate the lifestyle of a musician.

 

But it was one sunny Sunday afternoon at Marina Bay where I kind of got a little choked up there for a minute.  In the middle of one of our original tunes I looked out at the crowd, and it was like a sea of people – from my vantage point up on the stage it was like a wave of heads, bopping up and down, as far as the eye could see.  We were selling out a large outdoor venue, consistently, every Sunday afternoon.  Between all the club dates and the weddings, it suddenly dawned on me – Hey man, you’re making a living as a musician! 

 

It was also on this day, after years of faithful service, that our chief sound engineer (and all around groovy guy) Bobby Owens announced that he was leaving to get involved with another venture.  Shortly thereafter the revolving door of soundman auditions culminated with the arrival of Angry Al.  I never knew Al’s last name; still don’t – but boy was he angry!  But in a good way.  He ran a tight ship, and we never sounded better.  Angry Al – a real pro.

 

Boston Bruins Christmas Party, Bay Tower Room, Boston, MA, Winter – 1993

Cam Neely, stripped down to his undershorts, dancing on a table.  ‘nuff said.

 

Atlantic Beach Club, Newport, RI, Summer – 1994

What could be better than partying on the beach with some good live music?  The Newport shows in the summer of ’94 were basically just a big ol’ blur.  It was as if the band members and all of our fans had license to lose our collective mind and just get crazy and have a great time.  It was the perennial spring break for adults.  I remember being awakened one fine summer morning at our summerhouse to the thud of a newspaper on my head as someone skipped off, giggling.  “Best Party Band of Boston”, the cover of The Improper Bostonian Magazine proclaimed.

From here, things really got nuts!

And there I was… in the middle of it all.

 

CONCLUSION

 “The Reunion!” – The Beachcomber, Quincy, MA – May 10, 2014

All these long years later our lead singer, Mark Morris, hits me up on Facebook and asks, “By some long shot, might you be available to do a reunion gig with the original Catunes lineup?”  I pondered the question for a good 15 seconds before I came back with “Hell yeah!”  The prospect of attending any reunion usually leaves one with the typical jittery unease, but in this case I can honestly say that I am delighted to see my old friends once again.  Let me rephrase that… I am delighted to see my second family – The Catunes – once again.  Obviously we’re all a little older, a little grayer, and hopefully a little wiser after all this time.  I’m sure that family, personal ambitions, and career have consumed each of us to a certain degree – in a good way.  To me, these guys were special.  Very special.  Over all those years when the original Catunes lineup was touring relentlessly, we always tried to provide something special to the people who collectively formed our fan base.  The reunion show on May 10th is long overdue.  We have always been grateful for the joy, encouragement, love, commitment, and support that you, the fans, have always bounced right back at us.

We love you!

And we hope to see you again soon!

 

Catunes are:

Mark Morris – Lead Vocals

Kenny Morrell – Keyboards, Vocals

Leo Stapleton – Guitars, Vocals

Ralph Vertullo – Drums, Vocals

Tom Morico – Bass

 

 

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